Category: General

thank you to backers/supporters/collaborators. we could not have done all this without you!

special thanks to our sponsors
Mary Austin, Bob Fleck of Oak Knoll Books, Mark Samuels Lasner, Legion Paper of New York, University of Delaware Center for Material Cultures, 
College Book Arts Association, Pete Bowers, Stephanie Ryan, Anthony Horne.

special thanks to our patrons
Ed Marquand, Robert H Pigford, Kara Klein, Alexis Carpenter, Andrew Czudak, Danielle Pacheco, Katie Baldwin, Josh Houchin, Camille Robles, Carrie Wicks, Ben Kiel, Ellen Ziegler, Robert Bryant, Nina Ardery, Dee Echevarria, Amber Karnes, JoAnne Schlavone, Howard Chattley, Beck Whitehead, Ralph Begleiter, David Wolske, Zetetics, Lisa Hasagawa, Angela Driscoll, Yuka Petz, Donna Globus, Christine Fajardo, Erik Brunvand, Geoff DiMasi, Kevin Kernan, Aaron Cohick, Sarah Nicholls, Monica Lilta LeMaster, Ellen Madden, Emily Martin, Daniel Morris, BJeung, Josh Dannin, Todd Anderson, Jim Coudal, Union Press, Derek Schusterbauer, Robert Straight, MLenert, Kirk C Adie, Jeremy Holmes, Cindi Ettinger, Stephen Stalker, Xose Marcelino V Cagao, Harry Reese, Debra Ward, Caspar Lam, Traci Larson, Karen Crum, Martin Venezky, Brittany Skwierczynski, Katie A Smith, Lara Assouad Khoury, Laurence Bach, Troy Patterson, Nif Hodgson, Jessica Greenfield, Susan Cook Allardyce, Marc Sill, Scott Stowell, Gerry Leonidas, Rebecca Ann Rakstad, Andrea Sendervik, Jonathan Goldberg, Lisa Onstad, Elaine Nishizu, Kent Henderson, Rebecca Chamlee, Carolyn Dew, Lillian Wood, 23rd & 5th, Robin McDowell, Lindsay Schmittle, Rogier Barendregt, Jon Cox, Lisa Dunseth, Rachel Marsh, David Hisaya Asari and Luz Marina Ruiz, Gail Tarkan Shube, John Risseeuw, Heng Wee Tan, Law Alsobrook, Giampaolo Luparia, Catherine Dixon Lori Spencer, Alexandra Nicolescu, Karen, Hannah Lokken, Halil Gokdal, Peggy Seeger Dena Robertson, Suzanne Vilmain, Michael Hersrud, Bruno Pommey, Lauren Emeritz, Keith C. Humphrey, Diane Gibbs, Rebecca Johnson Melvin, Carrie Ann Plank, Jenny Wilkson, Laurent, Sara Langworthy, Rick Griffith, Kevein McGrath, Nancy Skolos, Velma Bolyard, Mike Perry, Genghis Kern, Christine Faulkner, Kat Hsueh, Bridget Meeds, Bernadette Treacy, Mikey Burton, Nick Prestileo, Bill Deering, Thuan Nguyen, Aldie Loubier, John DeMerritt, Adrienne Hooker, Geoff Cooper, Suzanne Powner, Christine Nelson, Elizabeth Carroll-Horrocks, Rob Perdue, Kay Coldiron, Amy Billingham, Sheryl Trainor, Jared Madden, Bridget Burke, Nancy Marie Pigford, Dianne Anderson, Lisa Walker, Jeff Altepeter, Brooke Penders, Alan E Ankeny, Morgen Cheshite, J. Noelle, J. McGehee, Michael Wang, Denise Bookwalter, Behnam, Peter Hanley, Margaret Adie, Lian Ng, Heather Mitchell, Susan Bails, Patricia Cheyne and Phil Pickering.

special thanks to our contributors
Brittany De Nigris, Laura Grablutz, Julianne Hamilton, Alex, Matt Runkle, Aviva Buivid, Dave McGurgan, Andrew Cornett, Cathy Honeysett Smith, Jessica Giles, Harris Fogel, Lauren Hubele, Drake Chandler, Alex Schloop, Sarah Zero, John Boilard, Jason, Chapin, Achim Wieland, Colette Gaiter, Angie Butler, Alicia McAteer, Camile Asseraf, Amy Brown, Patrick Brenton, Inge Bruggeman, Nikki Thompson, Melissa DiGiacomo, Stacey Martens, Maria Gleason, Jenny Profy, Alyssa Karninski, Matt Curtis, Mark Nystrom, Marianne Dages, Kate Ricci, B & C Whitehead, Sandra C Fernandez, Victor Ware, John Pastor, Heather Linton, Steve Varvaro, Sonja Rossow, Peter Kruty, David Shields, Sarah Bryant, Will Gettys, Rose Gridneff, Spencer Charles, K.H.J. Bearded, Jessica Tanny, Leslie Shaw, Andrew Cornett and Creative Scribble.

Whats left – detail

What’s left

This print attempts to connect the physical sensation of touch with the emotion of feeling, laser cutting offers an absence that seemed an interesting comment on our possible contemporary disconnect with these two sensations.

Lasercutting Detail

Lasercutting

Seeing the posts and imagining all the other great work assuredly going on around the project, I was at a bit of a loss on how to start. So I procrastinated. And waited. And allowed the holidays, and teaching, and a design practice to get in the way.

Then I realized I had history on my side, well research into the history of wood type. And a CNC machine. To clarify, research into the history of wood type specimen books, a CNC machine and a blatant mis-reading of the supplied glyphs.

When I first unpacked the package from Tricia and Ashley (last year) I immediately configured the word “couth” and began thinking about the nature and meaning of this odd little word that I was more familiar with as a negative (and continued procrastinating). Visiting the project blog my mis-reading became apparent C-O-U-T-H was more appropriately T-O-U-C-H. Back to the drawing board—or not. Using a both/and rather than an either/or approach, “couth touch” struck me as somehow having a ring of the nineteenth century about it, or more importantly seemed like an odd word combination found a nineteenth century wood type specimen book.

 

I have been researching the chromatic types of the nineteenth century, specifically William H. Page specimens produced leading up to their 1874 masterpiece. The high point of Chromatic wood type production came in 1874 when the William H. Page Wood Type Co. issued a 100-page Specimens of Chromatic Type & Borders.

   

Combining the mis-reading of the type at hand, and thinking about dynamic color and exuberant typographic design work pointed me on my way. So, no more procrastinating…

   

A bit late to the party…

This update contains no photographs of my finished prints.

There’s a simple explanation. It’s a little embarrassing.

Truth is, I forgot to take a photo of one before I sent them off and left for Copenhagen.

But I can assure you that after several late nights,

they emerged from nothingness and are currently on the slow boat to Pennsylvania.

(And they look vaguely like this. What can I say.)

prints are in the mail!

Wacky lock-up for the final pass.

Drying prior to signing.Wacky lock-up for the final pass.

Felt and wire posted a write-up our project in the “so noted” section of their website and their facebook page. They will also be publishing a longer, article soon to include prints. Keep posted for that…

vswtp on felt and wire